Christina Helferich-Polosky
-List of Works-
Latina Warrior
Published by Blue Ear Books in November 2023
(click on above image to order your copy online today!)
Bronze Star-decorated combat commander Colonel Lisa Carrington Firmin is pleased to present Latina Warrior, her collection of poems, prose, and art. She shares the trials of not fitting in, surviving sexual assault, harassment, discrimination, leading in combat in Iraq, living with PTSD and how she has been able to pick up the shattered pieces of her life to emerge stronger, whole, and unashamed.
Latina Warrior is a collaboration with fellow Bronze Star-decorated combat veteran and artist Major Christina Helferich-Polosky, who illustrated the poems with original art. The two veterans have joined together to present their art in a book that expresses their interpretations of one Latina’s journey to emerge stronger and empowered after trauma, hardship, and disability to find her voice to help others as well as herself. Both veterans want others to know they are not alone, that there is power in art, that there is life after the military, and that one can indeed lessen the burden of multiple traumas. In March 2023, “Invisible Veteran”, one of the poems in Latina Warrior, was featured by the Department of Veterans Affairs in a historic announcement of a new, more inclusive mission statement.
"These poems are raw and real, coming from the perspective of a Latina warrior. Fellow combat veteran Helferich-Polosky's accompanying artwork adds an important visual dimension. The poems capture stories that need to be told so others know they are not alone, especially those who have experienced military sexual trauma."
Sandra B. Morissette, PhD
Professor of Psychology, The University of Texas at San Antonio
"Latina Warrior challenges the public mindset of military service, as these strong and courageous women combat veterans share their most intimate experiences, revealing the obstacles, realities and success of their military service and found sisterhood."
AnnMarie Halterman, USAF Veteran and Artist
Co-Founder, UnitingUS.org
"The power of using art to express oneself and illustrate lived experiences is strongly evident throughout the poetry and art in Latina Warrior. This unique collaboration can serve as a blueprint for others to start and traverse their own healing journeys."
Captain Moira Mcguire, US Public Health Service, Ret.
Former Chief, Arts in Health Program National Intrepid Center of Excellence Founder, Healing Arts Exhibit, Walter Reed
2023 Shows, Exhibits and Events
SAT 05/20/2023
ARTIST TALK - with Christina Helferich-Polosky
at nDesign Art Haus, 15 N. Hanover Street, Carlisle, PA 17013
5PM - 6PM Cocktail Hour
6PM - 9PM Artist Talk w/question and answer period directly following:)
November 9 through November 20, 2023
Latina Warrior Book of Poetry Launch Party and Events
w/USAF COL (Retired) Lisa Carrington Firmin down in the San Antonio region of Texas in galleries and colleges around Veteran's Day 2023 - more details and specifics to follow; stay tuned!
Revolving Exhibition Through 11/2023
Wounded Not Worthless Artists ON DISPLAY NOW!!
at nDesign Art Haus, 15 N. Hanover Street, Carlisle, PA 17013
Memories Reside In the White Cliffs of Dover
on display at the British Embassy, Washington, DC 16 March 2023
The Honourable Dame Karen Pierce, British Ambassador to the United States, Uniting US, and World Wide Art Project Jolanda Aucott celebrate the first Uniting The World Through Art unveiling at the British Embassy!
Unveiling of the Uniting the World Through Art
In the 80-participant community artwork project led by Uniting US and the World Wide Art Project, the art depicts the themes of Love & Peace and Fear & War representing the individual emotions and portrayals of current realities facing humanity on 16 March 2023 at the British Embassy in Washington, DC.
My daughter, Willow Polosky and I participated in the World Through Art community artwork collage project shown in the first picture above - and I was also honored to show my own 36" x 48" mixed media collage, pictured in the bottom snapshots of "Memories Reside in the White Cliffs of Dover" on that same day.
Learn more at the Uniting US website by clicking the button here - you can even purchase FULL SIZE prints of my piece there too!
Pictures from the opening reception for the exhibition which features artists from
WoundedNotWorthless.com LLC for the first time EVER:
Veterans' Art: Imagery & Memory
at the Kavanagh Gallery located at the Fine Line Creative Arts Center in St. Charles, Illinois
November 2022 Exhibition
- Announcement -
We're SO proud to announce an upcoming exhibition featuring a portion of our WoundedNotWorthless.com LLC artists from across the nation IN ONE GALLERY FOR THE FIRST TIME EVER!!! Thank you to the Kavanagh Gallery located at the Fine Line Creative Arts Center in St. Charles, Illinois for sponsoring the exhibition: Veterans' Art: Imagery & Memory from October 13th through November 19th, 2022 in their magnificent space. I was personally honored to show a few pieces here myself a couple years ago, and was invited back to share half this wonderful gallery space to showcase the incredible female veteran voices from our WNW website this year! Seven of our artists from around the nation were able to ship their art to the gallery in time to represent the female military experience for this exhibit and I hope to represent them well at the gallery installation and opening--because the stories that we all tell through our art--the imagery and memories we choose to share with the world here this during this month--the good and the awful of it all--is powerful and meaningful and needs to be shown and heard and finally take up the space our soldiers have earned in and out of the uniform. We hope this exhibition will shine a light on their stories and their talent--spawning even more exhibitions (hopefully solo shows for the artists and more group exhibits like these) that focus on the female military experience and our often overlooked and undersold voices that the art world needs to hear.
Harvest of the Arts Festival
Carlisle, PA / 24 September 2022
Had an incredible time with the help of my amazing daughter, Willow Polosky, in the downtown historic district of Carlisle, Pennsylvania at their Harvest of the Arts Festival on Saturday, September 24, 2022. Some may recognize Carlisle as home to the Army's War College, but it also has a lovely little arts and history district as well. Thank you SO much to everyone who has been enormously supportive of Willow and I these last few months (and years) as we have been finding our footing and voice here in the Pennsylvania region. We especially thank Uniting US (unitingus.org) for always having our back and showing our pieces in Washington, DC and beyond; our newest friend Natalie Dohman and nDesign Art Haus, LLC for all the amazing art classes (and fellowship) because continuing education is a must for any artist- and your weekly classes are just what we need to refresh our mind, body and spirit! Leslie Rhoades and Boutique On Pomfret for your endless support and appreciation from the VERY beginning-your continued friendship, support and amazing boutique is an inspiration for us and our artistic practices.We were able to get our message out yesterday and pass out every single piece of literature we had about the website and beyond and we even sold a few prints and such as well! I really believe these proceeds will put a sizable dent in the cost of shipping for our WNW artists who need assistance on shipping their pieces out to our upcoming show opening October 13th at the Fine Line Creative Arts Center in St Charles, Illinois! More to follow:)
The ORIGINAL was displayed at
nDesign Art Haus Gallery
located at 15 N Hanover Street
in beautiful historic downtown Carlisle, PA during the 2022 - 2023 Art Seasons
The new series I'm working on is entitled:
"Through the Windshield:
Snapshot Memories - OIF 2003"
This piece is entitled:
"On the Verge -
OIF Convoy Staging 20 March 2003"
24" x 36" Mixed Media Collage on Stretched Canvas
May 2022
Prints Available for Purchase as well (5"x7" & 8''x10")
- all sizes possible upon commission -
email woundednotworthless@gmail.com for print purchase information; purchase original through the website here (shipping via UPS is included in this purchase price; tax will be added during check out here):
The original was on display (pictured above) at nDesign Art Haus Gallery located in historic downtown Carlisle, PA at 15 N. Hanover Street
Scan further to see how I've translated other 'OIF 2003 snapshot memories' onto small canvas panels with acrylic paint and other mixed media paraphernalia like acrylic skins and other opaque collage techniques.
In the new series I'm working on, this one is entitled:
"Through the Windshield:
Tanks in Passing - OIF 2003"
9" x 12" Mixed Media Collage on Canvas Board, Framed
September 2022
ORIGINAL SOLD
Prints Available For Purchase as well (5"x7" & 8''x10")
contact artist at WoundedNotWorthless@gmail.com for more information to purchase prints
Displayed 2022-23 at
"nDesign Art Haus"
15 N Hanover Street, Carlisle, PA
In the new series I'm working on, this one is entitled:
"Through the Windshield:
On to BIAP - OIF 2003"
9" x 12" Mixed Media Collage on Canvas Board, Framed
September 2022
Prints Available For Purchase as well (5"x7" & 8"x10")
email woundednotworthless@gmail.com for print purchase information
Displayed at
"nDesign Art Haus"
15 N Hanover Street, Carlisle, PA
from 2022-2023
In the new series I'm working on, this one is entitled:
"Through the Windshield:
D+1 Into the Sunset - OIF 2003"
9" x 12" Mixed Media Collage on Canvas Board, Framed
September 2022
Prints Available For Purchase as well (5"x7" & 8"x10")
email woundednotworthless@gmail.com for print purchase information
Displayed at
"nDesign Art Haus"
15 N Hanover Street, Carlisle, PA
from 2022-2023
In the new series I'm working on, this one is entitled:
"Through the Windshield:
Convoy to Tallil - OIF 2003"
9" x 12" Mixed Media Collage on Canvas Board, Framed
September 2022
Prints Available For Purchase as well (5"x7" & 8"x10")
email woundednotworthless@gmail.com for print purchase information
Ukraine Rises
June 2022
Mixed Media Collage
This is a mixed media collage piece I created specifically for the UnitingUS.org humanitarian relief effort For Ukrainian People Through Art. Military veterans, family members, and friends created 2D and 3D artworks showing empathy regarding the devastation of war and seeks to raise awareness and funding to assist the Ukrainian people during this difficult time. I made the collage out of vintage Tiffany & Co. catalogs (from the 1960s through the 2000s) in an image representing the ever resilient nature of the Ukrainian people as they face the unprecedented horrors of war. If you would like to find out more about the Uniting Us campaign, CLICK HERE.
In the summer of 2022, FOUR GENERATIONS of my family were invited to join UnitingUS.org and the Library of Congress in Washington, DC for the From Conflict to Creativity Veterans Art Showcase and Festival, where we participated in the Live Public Mural painting of "Celebrating our Nation" (pictured below) at the MLK Jr Library from June 25-27 and then I engaged as one of 35 demonstrating veteran artists at the Library of Congress, June 28-30, 2022!
Pictures of my family: daughter Willow Liberty Polosky, son Anthony Lenio, father Rich Helferich, US Army Nurse mom from 1969-1971 Diane Helferich, and my 96 year old Grandmother, from the WW2 Cadet Nurse Corps, during our trip to Washington, DC for our UnitingUS.org MLK Jr Library Live Public Mural painting of "Celebrating our Nation" and then of my time as one of the 35 demonstrating veteran artists and I also had several original collages and prints on display in the actual halls of the Library of Congress as part of the “From Conflict to Creativity: Veteran Art Showcase” Festival. It was as humbling as it was epic. Thank you so much AnnMarie Halterman and Tiffany Wheeler of UnitingUs.org once again for all your (literal) tireless efforts you both put forth on our behalf to make this all happen! Who else would think to bring four generations of one family together to do all this? It is so remarkable the logistics that went in to all this, and we are all so thankful to you both. This truly was a once in a lifetime experience as an artist as it was as a family! Thank you isn't enough.
Prints and the ORIGINALS were also displayed at
nDesign Art Haus Gallery
in beautiful downtown Carlisle, PA
at 15 N Hanover Street
after we came home and into 2023!
Limited Edition Prints - From the Library of Congress Run
These are all of the prints that are left from the From Conflict to Creativity Veterans Art Showcase that I made special edition prints for. (Signed and dated and run for this event only!) The ones that are framed are done so in hand crafted wood frames that were custom made by my father in his Ohio woodshop prior to the showcase - to the specific dimensions of the prints that they are with; therefore, they cannot be switched out with any other prints here. I try to keep the website updated with the most recent frames my dad has available. If you have a preference of frames, type of wood, etc, just email me, Christina, at WoundedNotWorthless@gmail.com which you want or a type of wood you want custom made and we will try our best to accommodate you!
This is the last custom made in walnut 14"x14" frame "Pain" print left (1 of 5)! My father, Rich Helferich, hand crafted each of the frames listed here in the very woodshop where I grew up in Ohio especially for this "From Conflict to Creativity" event, which highlights how important the role family members play in supporting us veterans:) I will pack, insure and ship this to you via UPS and ask that you pay $50 towards that cost please.
This is the last custom made in walnut 14"x14" frame "Pain" print left (1 of 5)! My father, Rich Helferich, hand crafted each of the frames listed here in the very woodshop where I grew up in Ohio especially for this "From Conflict to Creativity" event, which highlights how important the role family members play in supporting us veterans:) I will pack, insure and ship this to you via UPS and ask that you pay $50 towards that cost please.
Displayed from 2022-2023 at
nDesign Art Haus Gallery
15 N Hanover Street, Carlisle, PA
This is the last custom made in walnut 14"x14" frame "Pain" print left (1 of 5)! My father, Rich Helferich, hand crafted each of the frames listed here in the very woodshop where I grew up in Ohio especially for this "From Conflict to Creativity" event, which highlights how important the role family members play in supporting us veterans:) I will pack, insure and ship this to you via UPS (included in the price!) tax will be added at check out. Thank you!
My last 12"x12" unframed "Pain" luster print, signed and dated, 5 of 5 Limited Edition for the Library of Congress "From Conflict to Creativity" 2022 veteran artist event. I will mail flat and insured via UPS ground-flat rate included in price.
Displayed at
nDesign Art Haus Gallery
from 2022-2023
My second to last 12"x12" unframed "Broken" luster print, signed and dated, 4 of 6 Limited Edition for the Library of Congress "From Conflict to Creativity" 2022 veteran artist event. I will mail flat and insured via UPS ground-flat rateincluded in price.
My last 12"x12" unframed "Broken" luster print, signed and dated, 5 of 6 Limited Edition for the Library of Congress "From Conflict to Creativity" 2022 veteran artist event. I will mail flat and insured via UPS ground-flat rate included in price.
This 24"x24" CUSTOM Cherry Framed "Endowed By Her Creator" is my second to last "From Conflict to Creativity" Special Edition canvas print available for sale and is signed and numbered 3 of 5 for the Library of Congress Event. The frame was hand crafted by the artist's own father in his Ohio woodshop!
I will pack, insure and ship via UPS and this cost is included in the price:) PA tax will be added at check out. Thank you!
Displayed at
nDesign Art Haus Gallery
15 N Hanover Street, Carlisle, PA
from 2022-2023
This 24"x24" unframed "Endowed By Her Creator" is my last "From Conflict to Creativity" Special Edition canvas print available for sale, and is signed and numbered 4 of 5 for the Library of Congress Event. I will pack, insure and ship via UPS included in price.
Displayed at
nDesign Art Haus Gallery
from 2022-2023
"One Day" Special Edition, unframed, 16"x20" luster paper print by Willow Liberty Polosky (my daughter and registered UnitingUs.org artist too!) for the Library of Congress event, because she was asked to talk about the effects of being a military child with parents who had PTSD at this event and showed her art here as well, and this was one of her pieces, signed, dated, and numbered, 2 of 2. Shipping included in price. (100% of this sale will go to this artist:)
"One Day" Special Edition, 16"x20" luster paper print by Willow Liberty Polosky (my daughter and registered UnitingUs.org artist too!) for the Library of Congress event, because she was asked to talk about the effects of being a military child with parents who had PTSD at this event and showed her art here as well, and this was one of her pieces, signed, dated, and numbered, 1 of 2. Another handcrafted frame by my father, her grandfather, in oak. shipping included in price. (100% of this sale will go to this artist:)
2022 Collaboration with
Boutique on Pomfret
101 North Hanover Street
Carlisle, Pennsylvania
WoundedNotWorthless.com LLC had an extremely wonderful collaboration with the gorgeous Boutique On Pomfret located at 101 North Hanover Street in the beautiful historic district of downtown Carlisle, Pennsylvania from May 2022 to December 2022. On consignment was our Endowed by Her Creator pins and Rosie "Why we wear combat boots" T-shirts; as well as our completely brand new, limited edition run of luster paper prints available ONLY in the following sizes:
10- 12"x12" of Endowed by Her Creator; 10 - 8"x10" of A National Treasure; 10 - 5"x7" of A National Treasure; 10 - 8"x10" of Warrior Rosie; and 5 - 5"x7" of Warrior Rosie.
Each of these prints are dated, numbered, and signed by me, the artist, and clearly signify that they are Boutique on Pomfret Limited Edition Prints--a one of a kind collaboration to show WoundedNotWorthless.com LLC's gratitude for their support of the local arts!
There are several prints in differing sizes still available--email me at WoundedNotWorthless@gmail.com if you are interested in buying one of these prints :)
And like ALWAYS, please stop by the boutique and pick out a fresh outfit for any event or changing season because we never need a reason to shop small and support our neighborhood businesses!
UnitingUs.org and the Metropolitan Washington Airports Authority
Celebrating Service through the Arts
2022 Women's History Month
Honoring Women Military Contributions
Female Veteran Art Exhibition
at Dulles International Airport Concourse C and Terminal A
March 2022 through the end of 2022!
Archival quality prints are available for purchase NOW of my piece "Endowed by Her Creator" on the UnitingUS.org website and 100% of all sales go to this AMAZING veterans art cooperative that has done so much for me and my art over the past two years!!
Uniting US, is a nonprofit with the mission to inspire, empower, and unite military, veterans, their families and the communities in which they live through the arts.
Founded by AnnMarie Halterman and Tiffany Wheeler, two amazing women who have an appreciation for art's healing power, together, they designed a framework to inspire people and make arts accessible, empower creativity and engagement, and unite people for meaningful discussions. Click on the image above to travel to their website to buy your print today!
“The Tradition Begins”
9”x12” Mixed Media Collage
February 2022
Prints for sale that benefit the 501(c) UnitingUs.org, just click on image below:
My Grandmother was recruited out of her rural Ohio high school class in 1944 into the United States Cadet Nurse Corps, because at that time (World War II Era) most of the professional nurses had all been recruited themselves into the various Armed Services—So the way America provided nursing care to the home front was primarily through student nurses they got from the Cadet Nurse Corps. My Grandmother served from 1944 through the end of the war, graduating in 1947 (thus taking care of the many wounded Soldiers and Sailors returning home after the war’s conclusion while she was still in school). This inspired her own 30+ year career in the VA Hospital system when she became a nurse through the Corps, ultimately gaining her BSN later while working in that system, where she retired from in 1986. This collage is created from the pages of a 2017 coffee table book entitled, Women At War in World War II, specifically, Chapter 4, “The Role of Nursing Staff” pages 90-106 and a copy of my Grandmother’s own picture she has from that time of her in her cadet nurse uniform. Grandmother’s service inspired all her children to serve, and my mom, as the oldest of her six children, was no different when another war era began, this time in a country called Vietnam, and nurses were once again needed for our Soldiers abroad and in the home front.
“Our Tradition Continues”
36” x 48" Mixed Media Collage
February 2022
Original Not for Sale
My mother served in the Army Nurse Corps from 1969-1971—a time when people weren’t volunteering; specifically, men were being drafted. But like her mother before her, my mother lifted her right arm and volunteered during a wartime era and became a nurse by way of the United States Army. As this collage depicts, she also met my father, who was an engineering student at The Ohio State University in Columbus, Ohio—where my mom was going to her nursing school, the same nursing school that my Grandmother had gone to while she was in the Cadet Nurse Corps—also in the city of Columbus, called the Mount Carmel School of Nursing. The Army paid for my mom’s last couple years of nursing school in return for my mom’s service in the Army Nurse Corps—where she served at Fort Campbell, Kentucky and Fort Meade, Maryland. At a time when Soldiers were getting ready to go to and returning from Vietnam. This collage was created from the pages of two books—my dad’s side from the pages of a 2020 paperback entitled Ohio State University: Student Life in the 1960s and my mom’s side, a 2017 Smithsonian coffee table book, The Vietnam War: the Definitive Illustrated History. It is the juxtaposition of these two sides, these two worlds, that my mom was juggling while she was dating and then after she was married to my father that I find most compelling. It was a different time for women in the military—so much so that many women who served not only didn’t feel like veterans when they were discharged, they were actually told they were not. I’m extremely proud of my Mother and my Grandmother’s service—they are who inspired me to become a third generation female service member in my family when I got my commission in the United States Army in 1998.
“Still Our Fight”
11" x 14" Collage on Canvas
January 2022
Contact artist at woundednotworthless@gmail.com if interested in purchasing original or prints
"Engraved Disruption"
9" x 12" Burned Wood Canvas
February 2022
Contact artist at woundednotworthless@gmail.com if interested in purchasing original or prints
In response to Lois Saperstein's https://theartshouse.net/ January 2022 #ourbodiesourrightsourvoices Open Call, I submitted the above two pieces with the following written piece for her blog: https://theartshouse.net/blog/our-bodies-our-rights-our-voices
"A pregnancy to a woman is perhaps one of the most determinative aspects of her life. It disrupts her body. It disrupts her education. It disrupts her employment. And it often disrupts her entire family life. And we feel that, because of the impact on the woman, this certainly in as far as there are any rights which are fundamental is a matter which is of such fundamental and basic concern to the woman involved that she should be allowed to make the choice as to whether to continue or terminate her pregnancy."
The words of Sara Weddington, attorney for the plaintiff, Roe v. Wade, 1972.
I burned these words spoken to an all male Supreme Court in 1972 by the indomitable Ms. Weddington into a wood panel canvas recently--in preparation to explain to my 15 year daughter the idea of fundamental and equal rights--because it's time to have 'that talk' with her. And I personally needed the hours it took me to burn these words into this panel to come to grips with the idea that we live in a nation where before Roe v Wade became law in 1973, that it was fundamentally believed that women did not have the power over their own bodies that men did. That women could be forced, against their will, to disrupt all aspects of their life (body, education, employment, family) that would never be forced upon a man in this society, if men had been endowed with the XX gene. Fundamentally, we are all supposed to be created equal, endowed by the same creator--with certain unalienable rights; and while these rights were not specifically written into the Constitution (Yes, they were supposed to be inspired from the Declaration of Independence and then put immediately into the Bill of Rights and in some form inspired into many of our amendments afterwards) these are the ideas we all learn that our nation are founded upon right? It's certainly what the best of us marched about in the history books and what we want to pass on to our daughters and sons of tomorrow, correct? So why does it all seem to be slipping away today? Are our daughter's bodies today becoming less than to our son's? I am surely not raising my one daughter any differently than my four sons today to think any differently for themselves and I trust them each to make choices for their own bodies--but my son does not have the right to decide what is best for my daughter simply because he was born with a penis. This does not distinguish him differently under the Constitution, or does it? It did before 1973. Think about that. It goes beyond the idea of pregnancy here--we are talking about fundamental rights and who is entitled to them based on your sex. When we are talking about choice, we are talking about fundamental rights and if you take away our choice, you take away our rights to our bodies and our voices will follow.
Is that what you want for your daughter?
Not me. #ourbodiesourrightsourvoices
Originals displayed at
Ndesign Art Haus Gallery
in beautiful downtown Carlisle, PA
from Fall 2022 to November 2023
pain in my broken
body won’t ever match the
pain from my regret
September 2021
12"x12"x2"
Mixed Media Collage on Stretched Canvas in Floating Frame
By: Christina Helferich-Polosky
US Army Veteran (1998 -2009)
OIF – 2003 / OEF – 2008
$5000
I was initially inspired to create this piece for UnitingUS.org after I was given the poem In Arlington, written by Bob Martin, President of The American Rose Society from 2018-2021, For the Centennial of the Unknown Soldier 2021:
In Arlington white roses grow
And headstones mark them, row on row,
The honored dead; and in the sky
The Mourning Doves, in silence fly
To grieve the known who lie below.
We are the Dead, the ones you know
We lived, felt dawn, saw sunset glow,
Loved and were loved, and now we lie,
In Arlington.
While in the Tomb in marble glow:
Rests the Unknown, French soil below
In Honored Glory there he lie.
To not break faith with those that die
Our roses bloom as falling snow
In Arlington.
I meditated upon this piece for a while; because it touched a part of me that was beginning to awaken lately, especially with all the current events happening in Afghanistan—and I know veterans like me, who served during this time, all grieve a little differently—for things we lost—be it friends or family or our health or livelihoods. Our service may look different—be it WWI when the Unknown Soldier was entombed, to the wars of the Cold War Era that ran very hot many times, or the 43 days of Desert Storm whose airborne toxins still rage in the bodies of hundreds of thousands of our comrades—to today’s veterans, who, like me, have multiple combat deployments under their belt for a War on Terror that we may never quite come to terms with or understand. So, we paint, or sculpt, or draw or collage. Here, I’ve taken pieces of my actual uniform I wore during my 2008 deployment to Afghanistan with CJTF-101, as well as pieces of a unit T-shirt I wore there as well. My deployment was cut short because I got sick—really sick, exposed to an “unknown contaminant” that is still affecting my immune system to this day. I was medically retired a year later with permanent injuries and illnesses later attributed to burn pits I was exposed to during both my combat deployments. And I got mad—really mad. At the world, at my situation, and at my family at times for, what I thought, was not understanding what I was going through. And I regret that. I regret a lot. I regret my anger. I regret getting sick and cutting my career as a successful army officer short. I regret not seeing that I had a caregiver who did not really care for me. So, this piece of art—collaged together with the beautiful In Arlington poem, continues to speak to veterans of all generations—I just added my voice and my story to the pile. We are all worth hearing if you take the time. And we all end up blooming “as falling snow” somewhere, if not Arlington, then somewhere, hopefully not forgotten, and with honors. Because our stories are worth hearing, if you take the time.
broken I stand now
like the poppy honored here
another war done?
October 2021
12"x12"2"
Mixed Media Collage on Stretched Canvas in Floating Frame
By: Christina Helferich-Polosky
US Army Veteran (1998 -2009)
OIF – 2003 / OEF – 2008
$5000
This is the second flower and spoken word piece I’ve created for UnitingUS.org in response to poems written about past wars—specifically, In Flanders Fields, written by Major John McCrae, MD a Canadian Army surgeon attached to the 1st Field Artillery Brigade, in response, some say, to the death of his friend on May 2, 1915.
Others say it is simply one of the most iconic poems to come out of the First World War and was penned as a memorial to all who died in the war.
It goes:
In Flanders fields the poppies grow
Between the crosses, row on row,
That mark our place; and in the sky
The larks still bravely singing, fly
Scarce heard, amid the guns below.
We are the dead. Short days ago
We lived, felt dawn, saw sunsets glow;
Loved and were loved, and now we lie
In Flanders fields.
Take up our quarrel with the foe:
To you from failing hands we throw
The torch, be yours to hold it high!
If ye break faith with us who die
We shall not sleep, though poppies grow
In Flanders fields.
I was definitely inspired to combine the words of this poem with my own military experiences in this current collage—quite literally.
Maybe it’s the fact that I feel a connection recently to a war where people are forgetting about its people and its history because of all the time that has passed—like I feel my own voice and story and the voices and stories of other female Soldiers who served with me and deployed with me in 2003 (OIF) and 2008 (OEF) are now being counted by ‘decades ago’ instead of by just ‘years ago’ now.
I’m not sure—so I wanted to not only create something beautiful, but to also place myself into the piece itself by placing pieces of my own uniform that I deployed in, into this collage, so at least some part of me will last and be connected with the fields of poppies and the glow of sunsets past.
I also collaged delicate fabric, typically reserved for a lingerie wardrobe, to signify my cis feminine side—to contrast the war torn environment in which I was serving—with how I am still trying to reconcile my own identity and how it fit with and into the uniform in which I served. It not only lends a beauty to the poppy petals, but it also adds a delicateness that I think all female Soldiers can relate to having to learn to bury and/or cover up about themselves when they don the very uniform they ultimately become so connected to.
Because all veterans of all wars are connected—connected in service and connected by our voices that we must refuse to be silenced—so speak up and tell your story so we aren’t forgotten in the fields where the poppies grow.
"Pain in my broken; body won’t ever match the; pain from my regret" September 2021 12"x12"x2" Mixed Media Collage on Stretched Canvas in Floating Frame ORIGINAL; price includes insurance, packing and shipping anywhere in US domestic. PA 6% sales tax will be added at check out. Thank you.
"Broken I stand now; like the poppy honored here; another war done?" October 2021, 12"x12"x2" Mixed Media Collage on Stretched Canvas in Floating Frame ORIGINAL; price includes insurance, packing and shipping anywhere in US domestic. PA 6% sales tax will be added at check out. Thank you.
Pain in my broken, body won’t ever match the, pain from my regret
and
Broken I stand now, like the poppy honored here, another war done?
"Spectrum of the Arts" a Veterans Day Program with art exhibition and events hosted by the Honfleur Gallery in Washington, DC—November 11, 2021
September 2021 Collage Triptych
Each 5" x 7" Mixed Media Collage was created on 140lb Cold Pressed Archival Quality Acid Free Water Color Paper
Buried At The Intersection
April 2021
11" x 14" (19" x 22" framed)
Mixed Media Collage on 140lb cold pressed archival quality paper, professionally matted and framed
$4800
*Displayed at the Women's Military Memorial at Arlington National Cemetery Spring 2021 until Spring 2022 courtesy of UnitingUS.org*
*Displayed in the virtual gallery of AVAFEST2021
October 16 - November 13, 2021*
Actual words collaged from the 2020 Report of the Fort Hood Independent Review Committee intersected with a 2021 article from Task and Purpose entitled “The Truth About False Sexual Assault Reports in the Military” and how interviews with hundreds of Soldiers at Fort Hood focus groups divided up both by rank and gender, proved what we as female Soldiers of different generations than those serving now can absolutely attest to happened daily during our time as well--nothing has seemed to have changed as to the toxic sexual assault/harassment environment in the military in general: Fort Hood is broken, yes, but that could have been any duty station on any given day in America and it’s the female Soldiers who are buried at this intersection. We're just doing our jobs, everyday, fighting for the chance simply to be seen as equal Soldiers, Sailors, Marines, and Airmen who have to relentlessly, tirelessly “learn to take a joke” and “ease up” and “not take everything so seriously.” It is the female Soldier buried by this report’s very words in this piece, over and over again, who has been let down by her very comrades in arms, over and over again, when she was told her assault she reported would be kept confidential (and it wasn’t), and by her superiors, who punished the reporter over the violator (reported here over and over again). Probably the most telling words of the report for me, that I used over and over, and buried in this image, was this direct quote that happened during every mixed session of Soldiers being interviewed: “when female soldiers spoke up about their concerns, they were frequently shut down and essentially drowned out by the male soldiers.” Every single word used to bury this Soldier's image here, represents all those serving now and all those who have served before her, are either direct quotes from the Fort Hood report or the article from Task and Purpose that highlights the mythos surrounding false reports of sexual assault in the military. This article speaks to how it doesn’t happen (less than 1% of the time statistically speaking) yet it consistently gets brought up by our leadership, peers, and subordinates, especially during SHARP training. The mythos I'm referring to, of course, is 'the horrible situation' of all 'the innocent men' being falsely accused across the military. You know, everyone's "poor buddy” that was falsely accused of sexual assault or harassment that had his life/career ruined by that chick (who we all know was probably asking for it/just woke up the next day regretting having sex with him) when all it really does is keep the true victims from reporting actual violations. It intersects in this piece because this scapegoat idea does get brought up in the Fort Hood report, a lot, in the focus groups. It also intersects in the senior NCO/Officer focus groups that got caught up in the “semantics” of trying to define what "really" was/was not “harassing/toxic” culture. As a field grade officer myself, it truly sickened me that my male peers portrayed themselves in this way here...however, it didn’t surprise me, sadly, that they would get caught up in the victim blaming/shaming semantics and totally miss the point of the focus group in general and end up shifting the blame of why the culture was so bad in the environments they were responsible for in the first place, because I remember that culture. I spoke up in that culture, got shot down in that culture, and I've been retired since 2009. I remember. I'm not sure how many people actually took the time to read through the full Fort Hood report. It's truly enlightening if you want to see what our female Soldiers are still up against. It is a cross section of what any duty station on any given day is like in today's military. I assure you, our women are simply asking for a fair shake to do their jobs like any other Soldier. And yet, we were, and are still seen as "other." We still are buried deep by things outside of our control, when we just want to do our jobs. It's ok to be a female Soldier, we don't have to be "one of the boys" and yet we are often damned if we do, damned if we don't. It's a tight rope we walk on the daily, one we can't talk about, complain about or commiserate about, show weakness about, or show too much strength--whereas to then threaten 'others' about. It isn't about equity most days to be honest, it's about survival, and anyone who is saying anything other than that is lying to you or to themselves. There are many, many layers to being a woman in the military. And when you are addressing the issue of sexual violence and sexual assault and harassment, our female military members are buried at the intersection.
Every. Single. Day.
If you or someone you love is in crisis...please get help or support their journey. I believe you. Your voice matters. You matter.
If you click on the Framed Image, it will take you off my website and directly to rainn.org a National Sexual Assault Hotline with confidential 24/7 support providing crisis support service for sexual assault and harassment in the form of online chat, phone support, helplines for female as well as male survivors, domestic and dating violence, victims of other crimes as well as additional resources.
If you click on the other images, they will also take you off my website and directly to the Fort Hood report, and the Task and Purpose article that I referenced for this art piece.
Buy the Original
Buried At The Intersection
HERE
BURIED AT THE INTERSECTION April 2021 11" x 14" (19" x 22" framed) Mixed Media Collage on 140lb cold pressed archival quality paper, professionally matted and framed ORIGINAL; shipping included in price; PA 6% sales tax will be added at time of check out. Thank you.
A National Treasure
July 2020 - Mixed Media Collage
9"x12" original collage created with vintage Tiffany & Co. catalogs on 140lb cold pressed archival quality paper, professionally matted and framed
$6800
Contact artist directly for purchase and shipping details at woundednotworthless@gmail.com or order through website here below
Displayed at the
Ndesign Art Haus Gallery
located in beautiful historic Carlisle, Pennsylvania at
15 North Hanover Street
December 2022
through November 2023
No one can argue that Rosie the Riveter is one of our most cherished and shared national symbols of patriotism during WWII, but to me, she is much more than that. She is a feminist symbol of power in a time when women were not looked at or treated as truly independent people, but as mere objects, and the laws in our country treated them as such. But when our country went to war against fascist powers across the globe, it was women like Rosie who answered the call, not only from home and in the workforce, but also in uniform as well. So, I seek to represent them all in this piece, created specifically out of all shades of precious metals, diamonds, and gems that the esteemed Tiffany & Co. jewelry department store catalogs could muster across decades of their vintage catalogs I have collected over the years. To me, creating the ultimate image of Rosie here is showing her as she has always truly been: "A National Treasure” one that stands the test of time—an immaculate testament to women across the decades representing their strength, honor, resilience, and eloquence.
“Displayed at the 18th Annual Healing Arts Exhibition at the Walter Reed National Military Medical Center Summer 2021 until Spring 2022 courtesy of UnitingUS.org”
Displayed in the gorgeous
"Boutique
on
Pomfret"
located in beautiful historic Carlisle, Pennsylvania at
101 North Hanover Street
during the
Summer of 2022
Order the ORIGINAL
A National Treasure
HERE
"A National Treasure" July 2020 - Mixed Media Collage, 9"x12" original collage created with vintage Tiffany & Co. catalogs on 140lb cold pressed archival quality paper, professionally matted and framed ORIGINAL. UPS packing, insurance, and shipping included in price. Sales tax will be added at check out. Thank you.
"A National Treasure" - 8"x10" Limited Edition Print from run of 50, printed on archival paper, each copy signed and numbered by artist. Flat rate shipping costs apply; free shipping over $60
"A National Treasure" - 5"x7" Limited Edition Print from run of 50, printed on archival paper, each copy signed and numbered by artist. Flat rate shipping costs apply; free shipping over $60
"A National Treasure" - 11" x 14" Limited Edition Print from run of only 10, printed on archival paper, each copy signed and numbered by artist.
Flat rate shipping costs apply; free shipping over $60
It Is What It Is - Isolation, Introspection, and Divorce
Quarantine Art May 2020, then fully realized and updated July 25, 2020
Original 9”x12” mixed media collage on bristol board, professionally matted and framed
$7800
Contact artist directly through woundednotworthless@gmail.com for purchase and shipping details or order through website here below
(Limited Edition prints for sale on this site)
2020-2021 were both physically and mentally challenging years that had me questioning everything about who I am and what I wanted out of life. 2020 began with me questioning my VA healthcare and medications and then ended with exposing revelations about my caregiver and marriage. So, throughout quarantine and beyond, those years were a time of extremely tough realizations, turmoil and upheaval, but also a time of personal revaluation, healing, and growth. I found out, the hard way, that I am perfect the way I am and who I am, through the love and support of my immediate and extended family and friends who stood by me during the awful times and showed me that selfless love does truly exist and that I am worthy of it.
Created from the pages of the vintage coffee table book, “The World of Beretta - An International Legend” by R. L. Wilson, Random House New York, 2000, this intimate self portrait belies how I survived quarantine and the initial months of my separation leading up to my divorce in early days of 2021- through art - slowly, purposefully, filled with military bearing (hence the reference to my firearms training) and, yes, one day at a time. Post Traumatic Growth exists and I am an example of it.
The Original
It Is What It Is - Isolation, Introspection and Divorce
Original 9”x12” mixed media on Bristol board, professionally matted and framed "It Is What It Is" collage. UPS packing, insurance, and shipping included in price. Sales tax will be added at check out.. PA 6% sales tax. Thank you.
Prints of “It is What It Is” May 2020 Version
This is a Limited Edition run of only 10 prints from the May 2020 version of my "It is What It Is" self portrait. These are the only prints of its kind in existence. What is pictured here is the actual pic of the original 9x12 collage from that time period. Differences are slight but unmistakable in the eye, hand and throat areas from the final, July 2020 version.
May 2020 Version of "It is What It Is" Self Portrait 8x10 Limited Edition prints on archival paper signed and numbered by the artist. Will ship flat in protected envelop. Flat rate shipping costs apply; free shipping over $60
Displayed in the gorgeous
Ndesign Art Haus Gallery
located in beautiful historic Carlisle, Pennsylvania at
15 North Hanover Street
December 2022 through November 2023
Experimenting with the contemporary idea of collage making by literally stretching the boundaries of how far and how large you could construct a piece and still keep it intimate in idea and structure—I used my computer to digitally manipulate my earlier piece, “A National Treasure,” by enlarging and inverting her. I then collaged a new original piece (the tattoo) directly onto the enlarged image and placed her onto another collaged background of original WWII Stars and Stripes newspaper front pages and articles; thus, producing an active image of Rosie revealing her newly acquired 101st Airborne Division 'combat patch' tattoo (the above referenced original collage taken from additional vintage Tiffany & Co. catalog pieces). These small parts lovingly pieced together form a larger whole: all to pay homage to these great female fighters of the past, all the way back to WWII, where so many 'Rosies' paved the way for their women and men to serve, to my service in the same Division in Afghanistan in 2008, where I bear the same combat patch tattoo as Rosie here. I value their and her service just as much, if not more, than all the jewels and precious metals her image is created from here. Whether you served on the front lines or supported our troops from wherever you could, your service and sacrifice is deserving of an image just as large and just as precious as this one.
Warrior Rosie:
Our National Treasure
July 2020
48” x 36”
Mixed Media Collage on Stretched Canvas
$7800
Contact artist directly for purchase and shipping details at woundednotworthless@gmail.com or through website below
**Warrior Rosie was displayed at a biennial Veteran's art exhibition from November 6 to November 28, 2021 at The Delaplaine Arts Center in Frederick, Maryland showcasing artwork made by former service members of the United States military invited alongside my other piece Presents of Bronze**
Pictured above displayed in a gorgeous shop named the
Boutique on Pomfret also located in lovely downtown Carlisle, PA at
101 North Hanover St. during the Summer of 2022
Buy the ORIGINAL
Warrior Rosie - Our National Treasure
HERE!
"Warrior Rosie: Our National Treasure" July 2020; 48” x 36” x 2" Mixed Media Collage on Stretched Canvas ORIGINAL; Insurance, packing and oversized shipping flat fee, anywhere in US domestic included in price; PA 6% sales tax added in card at check out. Thank you.
"Endowed by Her Creator"
2019
12" x 12"
Original Collage on Stretched Canvas in a Floating Frame
original NFS
valued at over $9000
Contact artist directly through woundednotworthless@gmail.com for details regarding exhibition requests and instructions
This is why we wear combat boots ladies - to march on all that glass we keep shattering!
May 7, 2022 Endowed by Her Creator on display at the Boutique on Pomfret in Carlisle, PA for Keep it Small Saturday, pictured here with shop owner Leslie Rhoades and WoundedNotWorthless.com founder Christina Helferich-Polosky
Limited Edition Prints of
"Endowed by Her Creator"
Only 50 available! Printed on archival paper, signed and numbered by the artist.
"Endowed by Her Creator" Limited Edition Print Approx. 10 3/4" x 11" from our first run, archival paper, each signed and numbered by the artist; flat shipping rates apply; 6% PA tax. Thank you.
Find out how to buy ARCHIVED copies of my "Endowed By Her Creator" Puzzle now!!
My piece "Endowed By Her Creator" was chosen by Operation Arts/Fest, Women Who Serve: an initiative of the ARTSHOUSE and its’ program Creative Voices: Women Empowered to celebrate and highlight the essential role that creativity and the arts in all its forms plays in the process of healing, self-expression, telling of their stories, and the resilience of female veterans--and JiggyPuzzles.com to be turned into a puzzle!! You can click the button below and it will take you directly to the website below where you can order my Rosie puzzle and find out more about ARTSHOUSE, the other phenomenal female veterans and their puzzles, as well as the other fantastic non profits that Jiggy Puzzles routinely teams up with on their amazing website!
Size: 500 piece puzzle
Puzzle dimensions: 20 x 16 inches
Box dimensions: 9 x 6 x 3 inches
Each JIGGY x Arthouse puzzle comes in a reusable drawstring bag, box and includes puzzle glue to preserve your masterpiece!
Email woundednotworthless@gmail.com to request an archived copy today! These puzzles are no longer available online or in stores! Price includes shipping - tax will be added at checkout
($150)
THIS IS WHY WE WEAR COMBAT BOOTS LADIES!!
T-Shirt Now Available
Whether you are celebrating the centennial of the vote or the first female VP, there are a lot of glass ceilings being busted and the female veteran and her family of caregivers and supporters from all generations have reason to celebrate ourselves and our stories. Never has my original collage "Endowed by Her Creator" been more poignant then as the year 2020 comes to a close, and this newly designed unisex T-shirt honors this message and your service. Flat rate shipping costs apply; free shipping over $60 to lower 48 US/APO. No international shipping at this time.
THIS IS WHY WE WEAR COMBAT BOOTS LADIES...
TO MARCH ON ALL THAT GLASS WE KEEP SHATTERING!
apply to lower 48 US/APO. Pa tax added at checkout! Email me at WoundedNotWorthless@gmail.com if you would like a larger or smaller size!
This is why we wear combat boots T-shirt (SIZE Large) Flat rate shipping costs apply; free shipping over $60 to lower 48 US/APO. No international shipping at this time. and 6% PA tax. Thank you.
This is why we wear combat boots T-shirt (SIZE Medium) Flat rate shipping costs apply; free shipping over $60 to lower 48 US/APO. No international shipping at this time and 6% PA tax. Thank you.
This is why we wear combat boots T-shirt (SIZE Small ) Flat rate shipping costs apply; free shipping over $60 to lower 48 US/APO. No international shipping at this time and 6% PA tax. Thank you.
**The original was displayed at the Women's Military Memorial at Arlington National Cemetery from the spring of 2021 until early fall 2021 courtesy of UnitingUS.org**
**A Limited Edition Print was on display at the Hill Center Gallery at the Old Naval Hospital in Washington, DC during the summer of 2021 until early 2022 courtesy of UnitingUS.org**
**A Limited Edition Print was on display at the Takoma Park Community Center in Takoma Park, Maryland during the spring of 2021 until early 2022 courtesy of UnitingUS.org**
This piece was created out of a solitary wooden panel, then burned and stained, so as to ultimately contain the last names and dates of death for each of the 149 female Soldiers killed in action as part of the US War on Terror which includes OIF, OEF, and most recently Syria, that America has fought 2002-2019. I didn’t make this to say their deaths are or are not any more or less important than their male counterparts; however, Her Voices does want to confront and recognize that over 98% of the names burned into this patriotic surface are Soldiers killed in combat before our country "officially allowed" women to serve on the "front lines” in 2016. To be fair, we know women have been in, around, and fought on the front lines since war began, we just haven't allowed history to recognize this fact. Her Voices cries out into this void.
"Her Voices"
2019
18" x 24"
Burned and Stained Wood Panel
$8800
Contact artist directly through woundednotworthless@gmail.com for purchase and shipping details or order through the site below
"Spectrum of the Arts" a Veterans Day Program with art exhibition and events hosted by the Honfleur Gallery in Washington, DC—November 11, 2021
Her Voices
was displayed at the Dulles International Airport near the AeroTrain station in the C Concourse
beginning Monday, March 15, 2021 to the end of May 2021
In Celebration of Women’s History Month and on behalf of the Dulles International Airport and the Veteran Artist Collective
I'm so honored to have had my art displayed alongside these amazingly talented female veteran artists. Thank you UnitingUS.org for all the tireless work you do on behalf of veteran artists like us!
FRESH WORK an Exhibition by ARTUP Memphis, TN
Presented by Students from Austin Peay State University
August 26, 2019
6-8:30PM
I presented two pieces at the ARTUP Gallery in Memphis, TN as part of the city's RiverArtsFest, a street celebration of fine arts and fine local music with live artist demonstrations and hands-on art activities. The two pieces I showed were:
"Salvageable - Beautiful Disappointments"
and
"Her Voices"
pictured above. Our Professor, Desmond Lewis, a local Memphis artist himself, arranged the exhibition with this local gallery for the students.
"Her Voices" 2019; 18" x 24" Burned and Stained Wood Panel ORIGINAL; Insurance, packing and shipping, anywhere in US domestic included in price; PA 6% sales tax added at checkout. Thank you.
**The original of Presents of Bronze was displayed at the biennial Veteran's art exhibition from November 6 to November 28, 2021 at The Delaplaine Arts Center in Frederick, Maryland showcasing artwork made by former service members of the United States military invited alongside my other piece Warrior Rosie**
The canvas base of this piece is a blown up version of my actual Bronze Star certificate where I drew with black permanent marker a self portrait from my time in Iraq during my 2003 deployment. I took red embroidery floss and punctured and dissected this portrait and award, where I created a "found" poem from the words of the award itself. Like most vets/wounded warriors, it is hard to accept an award when you have members of your unit not recognized or come back injured or not at all. I find female vets especially downplay any form of achievement. The poem reads:
These presents of bronze;
Displayed and enhanced;
Despite any accomplishment;
Reflects upon herself;
A force now obsolete.
Presents of Bronze
2019
16" x 20"
Collage of Embroidery Floss, Permanent Black Marker, Black Ink on Stretched Canvas
not for sale
"Spring Sprang and then Sprung: My little literal GEM of a take on gardening this year..."
(AKA: Garden of Vintage Delights)
April 2021
5"x7" Mixed Media Collage created from vintage Tiffany & Co. catalogs on 140lb cold pressed archival paper, brushed with clear acrylic medium, matted and placed in 8" x 10" frame
gifted to dear friend
**Was displayed at the Art with Heart & Hope Fundraising Gala October 28, 2021--An Evening to Celebrate the Healing Power of Art for the Patients and Caregivers of Beyondmybattle.org**
My entry for Recycle2art.com’s Spring 2021 recycle art competition...puns were ENCOURAGED and I LOVE a good pun so I came up with this Tiffany & Co. inspired collage created entirely from the pages of the following specific vintage Tiffany & Co. catalog editions dated: 1976-77, 1984-85, 1986 Fall Selections, 1990 Holiday Selections, 1990 Winter Selections, 1990 Fall Selections, 1990 Spring Selections, 1991 Holiday Selections, 1991 Fall Selections, and 1991 Summer Selections. The parameters of the competition required at least 60% must be recycled/upcycled content. For this piece, the only technically ‘non-recycled’ parts of this piece are: the 5”x7” sheet of 140lb cold pressed water color paper I used as the base of my collage (however, I did already have this paper on hand as part of an old pad) and an 8”x10” frame I got last year in a clearance bin for under $5.
I won 2nd place!
Displayed at
nDesign Art Haus Gallery
during the 2023 gallery season
Storm on the Mountain
May 2019
16” x 13” framed
Mixed Media Collage on 140lb Cold Pressed Archival Paper
$800
Inspired and taken from the pages of the collage magazine Cut Me Up, this particular piece was central to my becoming a collage artist. In fact, it was after creating this particular artwork from this issue that I submitted for publication (that was rejected I might add—which is all a part of the process of learning and becoming) that truly cemented in my mind that yes, I felt that collage was my calling—the way I could fully articulate myself and my passion as well as my pain through art. I have weathered many a storm on many a mountain top in my life—and they have all, thus far—found a way to see its way through to the other side—a wondrous, beautiful side that was so worth the journey and the pain to get there.
CUSTOM 8"x10" COLLAGE
created from vintage
Tiffany & Co catalogs
Interested in commissioning your very own collage made from vintage Tiffany & Co catalogs? Now you can! Price includes vintage materials created into one original collage on a 8"x10" 140lb cold pressed piece of archival paper. Price includes FREE flat rate shipping for all continental US locations. International shipping available, but cost is paid by buyer on a case by case basis. At least thirty day turn around, will correspond with buyer if longer. Once you have paid, you can choose the subject of the collage from a person, place, or thing! Right now animals are what people are commissioning the most, as you can see from the sampling of my latest commissions to the left. You can send a picture of what you want 'represented' in the collage, or give me a general guideline, like: cat, dog, turtle, or giraffe:) Other sizes, as well as other collage mediums available upon request and through separate price negotiation with the artist directly at woundednotworthless@gmail.com (see some examples on photo canvases pictured left, but let's talk your ideas!).
Custom 8"x10" Collage created from vintage Tiffany & Co catalogs. Contact artist at woundednotworthless@gmail.com with your piece choice after purchase.
Milestones
11" x 14"
Mixed Media Collage on Photo Canvas
April 2021
not for sale - gifted
This piece is created from vintage Tiffany & Co. catalog pieces collaged onto a photo canvas taken from an enlarged snapshot garnered from one of my sister-in-law's Facebook milestone events from when my nephew graduated college. I wanted to commemorate this time in both their lives as a Christmas gift to them this year, as they are both a fan of art and creative expressionism in their lives. Congratulations!
Avatar Kisses
16" x 20"
Mixed Media Collage on Photo Canvas
December 2020
For Christmas 2020, I took the Facebook/Instagram profile picture of my youngest son and his girlfriend and had it blown up onto a 16 x 20 picture canvas. Their favorite TV Show/graphic novel is Avatar: The Last Airbender, so I ordered several Avatar graphic novels and used them to create this mixed media collage. To get the final "painterly" effect, I added a top layer of clear gloss acrylic medium with a large headed brush so you can see thick paint brush strokes across the entire canvas, which also seals the collaged images in as well. This was my son's favorite gift under the tree this year.
Not for sale - gifted
A Priceless Memory for Jill
11" x 14"
Mixed Media Collage on Photo Canvas
March 2021
not for sale - gifted
Created from vintage Tiffany & Co. catalogs onto a canvas where I enlarged a snapshot I took from a family trip where my sister-in-law and I saw the original truck from the movie Bridges of Madison County parked outside the restaurant our family was eating at in Carmel, California one night. I took this pic with my phone and promised her I'd make something for her someday to remember it because she said it was one of her favorite movies. It's a cherished memory from a happier time with my still and always beloved family. Combining my trademark Tiffany jeweled collagework with this wonderful memory will be a marvelous gift for her this year.
Anthony & Alvin the Great
June 2020
5"x7" Mixed Media Collage created from vintage Tiffany & Co. catalogs on 140lb cold pressed archival paper and brushed with clear acrylic medium
Not for Sale - gifted
To celebrate my son's 19th birthday this year, I created an original piece for him based on a snapshot of him and his cat, Alvin the Great from vintage Tiffany & Co. catalogs to express how precious (and precocious I might add) they both are to me. The technique of brushing a thick layer of clear acrylic medium directly on top of the collage gives the piece a painterly look that I adore and looks wonderful under the glass of a floating framed piece as well. Happy birthday Anthony and may God grant you many many years!
Perfection
2019
16" x 20"
Collage of Vintage Papers, Spackling, Embroidery Floss, and Acrylic Medium on Framed Stretched Canvas
This piece not for sale
As a white mother of a bi-racial child, these are perilous times. I worry about Jacob in different ways than I worry about my other children, who happen to be white and not of color, especially when it comes to the police. That is a simple a fact in the year 2020 as it was for the decades beforehand. This statement collage, built from the often problematic US Constitution, vintage Civil War maps (a shared interest of ours), and other multi-colored and vintage papers symbolic of his 23andMe DNA profile (that we underwent together), speaks to a child once considered illegal and immoral (in the state of Alabama where we lived and he went to college for his Political Science degree in Tuscaloosa) as what he truly is, not only in my eyes, but by society in general:
simple perfection,
"Where Knowledge Lives"
2019
10" x 12"
Cast Resin and Stainless Steel Powder on Handmade Pine Stand
This piece not for sale - gifted
Some say knowledge lies solely in the brain. Some say it resides in family tradition and experience. Others call it wisdom of the ages. I say that knowledge lives in the heart—a compilation of tradition, wisdom, and experience. This piece represents how it feels to be connected to my father’s knowledge as he continues to teach me how to make molds, cast interesting mixtures, and the act of creation itself. This collaboration piece resulted from my father, who at a moments notice, drove over 6 hours (each way) to come show his daughter how to create something from just an idea and a prayer. He is a retired ceramics/materials engineer, artist, expert mold maker, and caster; and he drove down one Saturday afternoon to help me realize a vision of casting ‘metal’ without a heat source. He left the next morning, mission accomplished, and probably thinking it was just another day in the shop. But he couldn’t be more wrong. He not only shared his knowledge, but he also instilled in his daughter a never before realized camaraderie in art as well as the paradigm of what it means to be a parent. This piece represents where knowledge lives—not just in the resin mixed with stainless-steel powder that resembles a deceptively light piece of cast metal—but in our shared love of creating, investigating, and devotion.
"Salvageable - Beautiful Disappointments"
2019
3' x 2' x 1'
Clay, cast iron, cast aluminum, resin and assorted wood scraps
contact artist if interested in purchase or for display in show/gallery
Contact artist directly through woundednotworthless@gmail.com for purchase and shipping details. This is an extremely heavy and delicate piece that would require a great deal of communication during the shipping/handling process and would factor into the shipping price based on buyer location. This piece, especially the clay component has, as the title suggests, what some might consider 'flaws' such as cracks and chips that add to the beautiful disappointment aspect of the entire piece.
There are a lot of ways to look at failure in practice, in art, and in life itself. There are even a myriad of ways to downplay one’s own abilities and art. That is probably why depression and dejection are so many of our ‘go-to’ moves when something doesn’t happen 100% according to plan. If anything at all, this piece, for me, was one of my largest clay and steel ones planned to date, so I really wanted it to come out as perfectly as I saw it in my mind. I created this piece as a student at APSU in the Spring of 2019 in my Clay and Steel class, but things started to go wrong right from the start, as things are apt to do when you are working with pieces of clay in excess of 50lbs and multiple metals like aluminum, iron, and steel. What I ended up realizing though is just having the knowledge to conquer fears of fire and extreme heat with safety and confidence is an encouraging SUCCESS. Then, on top of that, to also have the realization that manipulating clay, steel, and iron is something a student like myself can actually put into my individual art practice right now, will last a lifetime. SUCCESS. I’m even inspired to one day take more classes at a local community college or adult career technical learning center in welding certification or blacksmithing so I can do even more metalwork in the future once the pandemic allows classes to open up again. SUCCESS. So I guess what I’m saying is this: the next time you think or are told that you failed at something—take another look—because I bet it really is a true success. EVERYTHING can be a success—it’s just the way you need to look at it. Take this piece specifically. The clay piece started out in the kiln as one huge 50+ pound sculpture that exploded into several large amorphic blocks after it was fired and glazed. But it was still beautiful to me when it came out of the oven. Two pieces were even SALVAGEABLE. The aluminum and iron and steel pieces were all cast pieces that were considered mistakes when I made them with the other students in our class in an oven we made from scratch. But they are still beautiful because of all the hard work and comradery that went into making that oven. The wooden parts that make up the base were all leftovers I had in my woodshop from an old project. But when I put everything together, by sinking the metal pieces in clear resin and stacking the salvaged clay pieces onto the wooden base--it all came together into something better than anything I could have ever imagined in my mind to begin with: one big, salvageable, beautiful, and anything but--a disappointment.
"SLOSS 2019"
April 2019
12” x 10” x 12”
Scrap Iron and Cast Iron from NCCCIAP 2019
Not for sale
I attended the 2019 National Conference on Contemporary Cast Iron Art & Practices in Birmingham, AL from 4-6 April at the historically registered Sloss Furnaces site. I came down with five of my APSU classmates from our Clay & Steel course that Professor Desmond Lewis was teaching during the Spring 2019 semester. And to put it bluntly: WE FAILED. Let me explain. The furnace that was designed (primarily by our professor and Andrew, an experienced ironworker classmate) and built (primarily by the above individuals as well) from January through the end of March 2019 with help from three or four other Clay and Steel classmates—FAILED. We only got one tapped iron pour before the iron inside the furnace ‘froze’ and completely demolished the integrity of the furnace itself. FAILURE. Did I mention Professor Lewis personally financed our trip by scraping together a hodgepodge of benefactors and the use of his own funds (to include purchasing all the raw materials to make the furnace itself)? FAILURE. We were a guest furnace, and only got to pour roughly 1/3 of the molds we were assigned to pour. FAILURE. Artists who were counting on our furnace working so their art could be made from the molds they spent so much time designing and constructing—FAILURE. Out of the over 200 pounds of iron we put (or charged) into the furnace, only 50-60 of those pounds was actually poured into molds. FAILURE. It took our team over three painstakingly hot hours to light the furnace, charge the furnace with first coke (we used over 63 pounds of this extremely light material that acts like fuel for the furnace) and then iron (did I mention we charged the furnace with over 200 pounds of iron, one 25 pound bucket at a time?), only for maybe 60 pounds of molten iron to get poured by one team (we had two teams waiting to pour—trained to pour) into barely 1/3 of the molds already staged in our sector waiting to be filled. FAILURE.
Sounds pretty horrible, right? I can’t tell you how exhaustingly dejected our whole team (not to mention the artists who needed their molds poured) felt that night. Completely and utterly inconsolable. So now you have the backstory. But now I’m going to explain to you the REAL story—the story of how this whole thing truly was a SUCCESS. I said the furnace failed. True—kinda. Why do I say this? Well, besides the fact that our instructor believed in this team enough to personally fund and seek donations from all over the state of Tennessee to get this furnace made (which is empowering by itself) APSU is now one of only two universities in the state of Tennessee that has the ability to pour and cast iron inside its Art BA/BFA program. SUCCESS. I mentioned the iron froze in our furnace—but what I didn’t tell you about is how our crew of six was a well-oiled machine, extremely well trained from months of test firings and walk throughs, resulting in zero serious injuries during this pour (and a lot could have gone seriously wrong!). SUCCESS. Did you read how our class now knows how to build a furnace from scratch, use that furnace to melt actual iron, and how to construct and pour melted iron into molds? SUCCESS. What about how a group of classmates, with little or NO experience at all with casting iron or metal working in general, was able to produce a team willing to travel to Birmingham, Alabama and held their own against universities around the country that have incredible cast iron facilities, majors, and experience? SUCCESS. So the next time anyone ever tells me what failure looks like, I will be sure to tell them exactly how to turn that into success, because I had a professor that believed in me and my team and I will never, ever forget how that felt when staring failure in the face, one person believing in your team could lift you up into the realm of success.
"Self Portrait, 2018"
2018
2 x 6" x 5" x 3" brains from press mold and multiple clay 'pills'
Top Row: Unglazed fired clay and found objects
Bottom Row: Same brains that are now glazed and raku-fired clay with found objects
not for sale/lost in move
I was inspired to make this self portrait sculpture as a way to describe my frustration and tiring confusion with how the VA was managing my "invisible wounds" (aka psychological service-connected injuries). At the time of this piece, I was on several prescriptions and talk therapy regimens, yet still felt depressed, anxious, and increasingly self-loathing as I continued to think of myself as a burden on my family of caregivers. Especially to my primary caregiver, who would tell me that, when he was ever actually there in person to tell me anything at all. To my real caregivers, my children and extended family, who were really there in the trenches with me on a daily basis, no, they would never say that I was or am a burden, and I know this most of the time; however, that doesn't stop me from wondering how I'm over ten years from when the Army officially medically retired me at 100% disabled, yet my struggles continue. I know being in a mentally and emotionally abusive relationship that I am just now strong enough to get out of is helping, but I still spend most days wondering what is wrong with me? And why can't or why couldn't I see this for what it was and have gotten out sooner? In hindsight, I now see that I was successfully able to infuse all these complex feelings into this incredibly emotional and intimate self portrait created here. By pressing clay into an old Halloween brain mold and hand rolling over a hundred 'pills' from clay as well. I made two halves of my brain, and left them unglazed but fired to bisque for its first installation (first row of pictures above). I ultimately chose to raku-glaze and fire the brain halves (second row of pictures above) for the end result of a strikingly beautiful representation of my innermost fears that also just happen to be my internal motivation to form a new narrative for myself; not only as just a Soldier or Wounded Warrior; but also, as an artist, mother, sister, daughter, and ultimately: A Survivor.
"Iraq Cornucopia, 2003"
2018 Ceramic Boot Series - 1
not for sale lost in move - contact artist to set up exhibition / installation information at woundednotworthless@gmail.com
These were the first two ceramic pieces I made after learning the coil and slab method of building with clay. I was inspired to make this installation based off finding a box of my old patches and 'souvenirs' from my first deployment (to Iraq both before and during Operation Iraqi Freedom) in 2003 with the 7th Transportation Group out of Fort Eustis, VA. The boot on the right, the 'cornucopia' of the piece, was made by the coil method, from the boot treads up. It is, and will remain, un-fired clay, until it disintegrates itself, like the clay pieces and dust it settles in. My memorabilia (unit patches, dog tags, Iraqi paper money, rocks from different areas I picked up during our march towards BIAP (Baghdad International Airport), as well as military awards-like my bronze star-earned during this deployment, ID cards, unit and branch insignia) are positioned inside and spilling from it, as it is splayed out on the ground, still laced up with a pair of laces I wore during the deployment. My intention is to chronicle its breaking-down process with all its artifacts crumbling with it. The boot on the left, made via the slab method, was fired, then raku-glazed and raku-fired again...where it began to disintegrate in the kiln as it was heated to 1600 degrees Fahrenheit. These greenish burnt remnants are the pieces that made it out of the fire, rough and hardened beyond measure, yet just fragments of its former shape and self. These boots--arranged like this at the ground level--in all of its dust and debris, represent my memories of that time and how I feel the farther and farther we, as a country, travel from 9/11/01 and the two-front war that terrorist event birthed, is drifting further and further away from the present time--off into the past of history books and museum exhibits. But the real question I ask myself is this: "Am I the artist of this piece or the exhibit itself?"
"Hampered in Protest"
2018
8.5" x 4.5" x 8"
Raku Fired Clay
I gifted this piece to my son
"This is the glory of America, with all of its faults. This is the glory of our democracy. If we were incarcerated behind the iron curtains of a Communistic nation we couldn't do this. If we were dropped in the dungeon of a totalitarian regime we couldn't do this...And we are not wrong in what we are doing. If we are wrong, the Supreme Court of this nation is wrong. If we are wrong, the Constitution of the United States is wrong."
- Dr. Martin Luther King, Jr.
The quote that inspired this piece was spoken by Dr. Martin Luther King, Jr. when he addressed nearly 5,000 people at the Holt Street Baptist Church in Montgomery, Alabama on December 5, 1955, just four days after Mrs. Rosa Parks was arrested for refusing to relinquish her seat on a Montgomery city bus. As a Soldier and Wounded Warrior, I feel I have the right to speak up and support football players like Colin Kaepernick because I am tired of all the 'others' who use me and my military service (most of whom have never served a day in their lives) to condemn peaceful protesters like him. The country I fought and was injured for has a long history of social protest and I support it all. I served so others could keep their freedom of speech and not be silenced or shamed. I represented Mr. Kaepernick in this piece wearing his former #7 jersey and without arms to make an unmistakably visual statement that I feel he has been hampered in his protest by a huge majority of America-the majority that has been calling him unpatriotic and disrespectful to those in uniform. Well, I'm one of "those in uniform" and I applaud Mr. Kaepernick because he is exercising one of our most basic rights as Americans-rights I fought to protect. Stop using me as your excuse to shame this man. Read up on your constitution and unbiased American history. We are a nation founded in protest and by the blood of those of us seeking to protect his right of free speech. I am respectfully asking those who are quick to nay-say or judge him to simply appreciate how he is peacefully protesting what he sees wrong in America today. Whether you personally agree with him or not, every one of us has a voice and every one of our voices matter.
"Petrified"
2019
2‘ x 1.5’ x 10”
Double Raku Fired Clay
Sold as an art in kind sale (trade) with fellow artist
"Double Baked"
2019
10”x 8” x 9”
Double Raku Fired Clay and Scrap Cast Iron
Sold as an art in kind sale (trade) with fellow artist
Ceramic Boot Series - 2
2018
Clay of various sizes with Artist's Found Objects traditionally kiln fired
Contact artist at woundednotworthless@gmail.com for purchase/shipping details of each piece
These three handmade clay pieces are modeled after each type of boot I wore during my 11+ years on active duty. I was inspired to make them after completing my ceramic boot series - 1 "Iraq Cornucopia, 2003" sculpture installation pictured above. The black boot (glazed and fired twice) is reminiscent of the boots worn during my college-ROTC through 2005 time in garrison when we wore the woodland camo uniform; the middle yellow boot (under-glazed and fired twice) reminds me of the tennis-shoe-like-boots worn during my 2003 deployment to Iraq with the 7th Transportation Group worn with the desert camo uniform; and the final tan boot (which is fired but not glazed) is like the boots I wore at the end of my career with the digital camo uniform and during my 2008 deployment to Afghanistan with the 101st Airborne Division (Air Assault).
Here are more of my Fall 2018 ceramic pieces; some thrown on the wheel; others simply shaped by hand:
Self Portrait Intestinus
2017
Fabric, acrylic medium (matte), spackling, acrylic paint, resin, and various hand-stamped metals
Dimensions: 30” x40”
not for sale
contact artist to set up exhibition / installation / artist talk information at woundednotworthless@gmail.com
I began this piece as a self portrait to explore my transition from Soldier to Artist. I wanted to find a way to honestly express the doubts and fears about myself I needed to put to rest so I could emerge a fuller, more whole, person who lives in the present while letting go of the past. So, I hand stamped blank dog tags with questions that plague me, like “am I a burden?” and “did I let them down?” Embedded in the resin are hand stamped tokens with ‘labels’ I felt targeted with during my active duty time, like “whore” and “dyke” along side “absent mother” and “friend.” My severed breasts, nakedness, and bindings of dog tag chain symbolize how I felt my femininity to be, at times, fractured by the uniform I wore.
ROY G BIV Gallery, in Columbus, Ohio, presents Shift, a pop-up group show exhibited at Wild Goose Creative about changes and transitions, juried by local artist and educator Laurie VanBalen.
Exhibiting artists include: William Cares, Katy Dai, Lou Eberhard, Emily Greenberg, Sasinun Kladpetch, Haley Manchon, Christina Polosky, Whitney Sage and Dan Jian
Some Wounds Don't Bleed
2016
Fabric, wire, Velcro, plastic thread, paper photographs
Dimensions: Multiple pieces that would fit within a 4’ square
not for sale - contact artist to set up exhibition / installation / artist talk information at woundednotworthless@gmail.com
The assignment was to make a soft sculpture in one of my favorite Sculpture classes led by Professor Chris Taylor. Playing with dimensions and diametrically opposed textures, this piece is my rendition of the 'flak vest' I wore while deployed to several combat zones. I used delicate laces and lingerie fabrics to quilt together the vest and outfitted the seams with wire so it would hold its shape while displayed. I also placed photographs of my family taken during events (like birthdays and mother's days) I missed during these deployments, delicately placed in the front pockets where my 'real' flak vest carried ammunition. These family photos symbolize the protection to my heart that the flak vest and ammunition were to my body.
The Fine Line We Walk
2016
Plaster, wax, burlap
Dimensions: Multiple pieces that would fit within a 4’ square
not for sale - contact artist to set up exhibition / installation / artist talk information at woundednotworthless@gmail.com
This piece was inspired by an old article I read entitled, ‘‘Dykes’’ or ‘‘whores’’: Sexuality and the Women’s Army Corps in the United States during World War II by: M. Michaela Hampf, published in Women’s Studies International Forum 27 (2004) 13 – 30. I was struck by how my experience walking the fine line of being labeled 'whore vs. dyke' during my army years (between 1998 - 2009) is actually something I have in common with these sisters that came before me.
For this piece I wrapped my torso in masking tape and then cut it off and stuffed it. The form, that I then placed a Halloween heart halfway into, was what I used to make the mold. However, instead of making something with the mold, I made the mold itself the focal point of the piece with a 'bleeding' wax heart falling out of it. The broken pieces of plaster placed around it is to show the 'breaking apart' of my being. Etched into the mold are words used in the above article as well. The picture to the left shows how it was displayed during a 2o16 student art exhibition. I deliberately organized the piece to look like it was literally falling down and breaking apart in the gallery.
I was awarded the APRIL 2016 ANNUAL JURIED STUDENT ART SHOW
Lewter Sculpture Award from the Department of Art,
Art History, and Design, University of Alabama in Huntsville for this piece.
Missing You
2016
Acrylic paint, wood stain, yarn, spackling paste
Dimensions: 48” x 36”
$1500
contact artist for purchase/shipping details at woundednotworthless@gmail.com
Inspired by my mom, a breast cancer survivor. When I asked her if she was going to get reconstructive surgery after her mastectomy, she said something to the effect of, "Why? I'm 60 years old, I don't have to worry about silly things like boobs anymore, I'm too busy dealing with this cancer thing." I don't think she realized what a strong statement that was to me. Why do any of us have to worry about our boobs anymore, cancer or not?! With this piece I am exploring my own relationship with the ladies, and wondering why I spend so much time worrying about them.
It Cuts Deep
2016
I was working with a heavy hand in the plaster and paint with various palette knives when this presence of a woman appeared. I felt led to 'sew' into the canvas with messy red yarn stitches covered in matte acrylic medium. To me, it can symbolize blood cascading either from the wrists (with arms held out in front of the figure) or the ovaries. Either way, literally 'cutting' yourself or feeling figuratively 'stabbed' in your woman parts (like men are wont to say) are ways I have expressed my hurt and despair.
Acrylic paint, yarn, spackling paste
Dimensions: 36” x 48”
(mixed media painting updated in 2022 by having red yarn removed from piece)
Roll Tide, Jacob
2016
Acrylic paint, acrylic medium, fabric, paint swatches, paper, embroidery floss, jewels, shelf lining paper
Dimensions:
48" x 36"
gifted to son
My son, a student at The University of Alabama, 'commissioned' me to make a piece with an elephant (the school's mascot) for his apartment. I agreed to make it, under the condition I could take artistic liberties with the form. What makes this piece memorable to me is that this is my first piece I started to use embroidery floss to 'sew' into my canvases artistically. My experimentation with this technique is still a major part of my aesthetic today.
"It Aches" 2016
This piece came about while I was experimenting with 'dud' paint samples I bought for .50 at the local hardware store. The result is what happened by playing with the mixture of green tinted varnish, outdoor latex paint, spackling paste, and then sewing into the canvas. The 'front' of the canvas is actually the 'back' of a cross-stitched heart; because the messiness of the backside of the heart was more compelling to me than the nice and 'tidy' image of the 'front' of what is considered the traditional symbol of romance.
Acrylic paint, varnish, yarn, spackling paste
Dimensions: 36” x 48”
Sold as an art in kind sale (trade) with fellow artist
"Untitled Abstract" 2017
These three large pieces are a set that is the result of my trying to mess around with abstract figures in a heavy acrylic medium and textures of embroidery floss sewn into the canvasses.
Acrylic paint, embroidery floss, impasto medium
Dimensions: 36" x 36", 36” x 48”, 36" x 36"
gifted to parents
"Untitled Repose" 2016
I started with a blank canvas and poured different 'dud' outdoor latex paints I bought from the local hardware store for .50 a piece. Once it dried, I began sewing into the white spaces. What resulted, to me, is the image of a woman salaciously posed. I really love how different the softness of the yarn versus the smoothness of the dried paint is represented here.
Acrylic paint, yarn
Dimensions: 36” x 48”
$350
Contact artist at woundednotworthless@gmail.com for purchase/shipping information
Buried Deep
2017
Acrylic paint, glitter, spackling paste, impasto medium, various dry media
Dimensions:
36" x 36"
$1500
Contact artist at woundednotworthless@gmail.com for purchase/shipping information
Spackling paste and palette knives create beautiful white scores on this extra large canvas. The lighthearted emoji is simply a representation of an outside mask I tend to put on in public, while buried deep in the plaster are various dry media (like plastic pearls and stones) spelling out my insecurities and doubts that only I know are there. I see now this painting is really a cry for help that I should have seen a lot earlier. Maybe it can serve as a symbol for others that are going through a rough time right now and not seeing clearly or covering up or tamping down their feelings and enabling others while they are not taking care of themselves. I am here to tell you that four+ years later, the things you bury deep do eventually come to the surface, so you need to address them. Easy to say, I know, with hindsight, but I'm still working on it.
"Tony's Request" 2016
My 16 year old (now 19 year old) son is a big New England fan. He had been asking for some of my 'art' to decorate his room. This piece, 1 of 2, is the result. Surprising to me, he loves them and the use of embroidery floss sewn into them. He thinks it gives movement to this static piece. He has a good eye, that one.
Acrylic paint, embroidery floss
Dimensions: 24” x 36”
gifted to son
Therapy
2015-2016
Ink on Paper arranged on Gallery Wall
Dimensions: 30 - 5" x 5" pieces
Sold as an art in kind sale (trade) with fellow artist
This expressive piece was motivated by one of my favorite drawing studio professors, Roxie Veasey, who challenged the class to make multiple original drawings as an assignment. I decided to do a self portrait in 30 small pieces. To me, each individual 5" x 5" card of intricately drawn zen doodles, make up a larger, desperately miserable image of how I saw myself. There is beauty though, because to me, this image is how I felt before completing the piece--but after hours of delicate scrawling--I felt infinitely more beautiful. The result? Therapy, well spent time indeed.
"Retired" 2015
This piece is the result of my very first assignment during Intro to Sculpture: exploring a 3D form with wire. I recreated my old army boot. I then mounted it for the spring student art show, with a delicate silk flower to symbolize the form's current place in my life: a boot no more.
Wire, wood, fabric flower
Dimensions: Multiple pieces fit in 1.5' square area
Contact artist at woundednotworthless@gmail.com for purchase/shipping information
Gus
2015
Acrylic Paint, Impasto Medium, Wood
Dimensions:
11" x 14"
on
Canvas Paper in handmade frame
gifted to son
Another professor who has deeply inspired me, Kathryn Jill Johnson, had us create 30 second paintings during one of our studio classes. I started with mounds of different fawn tinted paint mixed into thick impasto medium. The result is an extremely true to life caricature of one of our family's most beloved pets: Gus the dog. I was awarded the Emerging Woman Artist Award from the Women’s and Gender Studies Program, at the University of Alabama in Huntsville Student Art Show for this piece for 2015!
"Reflections" 2015
I was worried I was going too literal with the patriotism here, then I considered who I was painting this for, my mom. As an Army nurse during the Vietnam Era, there is no one, or nothing more, patriotically sacred to me than her. Hence the shadow of the cross cast upon a rugged flag and Bronze Star.
Acrylic paint, Impasto Medium
Dimensions: 36" x 48"
gifted to mother
"The Banana" 2015
Our daughter, Hannah Liberty, is my muse on a daily basis. Now 14, this rendition of her 12 year old self, is one of my active caregivers, so any chance I get to recreate her likeness (here in a Picasso/Degas inspired form) is a true delight.
Charcoal on Paper in floating frame
Dimensions: 36" x 48"
gifted to daughter
"Big Gus" 2016
Big Gus may be an understatement of a moniker on this enormous canvas. I tried to recreate his charming caricature, so successful in the smaller "Gus" from 2105, in a larger form. I couldn't quite capture it, but a worthy mate nonetheless. Now passed on, his likeness here is a reminder of how big of a presence he actually made on our lives when he was here. We miss you big guy.
Acrylic paint, Acrylic Medium
Dimensions: 48” x 36”
gifted to son
"Self Portrait" 2016
My first attempt at a self portrait in my thickly applied painting aesthetic. As an added twist, the assignment had us constructing our own brushes. I decided to make them out of my own hair taped to the end of chopsticks.
Acrylic paint, and Acrylic Medium (Gloss)
Dimensions: 48” x 36”
Contact artist at woundednotworthless@gmail.com for purchase/shipping information
"The Wind Up" 2015
Baseball, especially San Francisco Giant baseball, is a HUGE part of the culture of our family. Thanks to my stunning husband--who grew up in the amazing Bay Area Polosky family--this Ohio girl actually is a true blue (or in this case true orange) fan. There is nothing better in my life than falling asleep, listening to Kruk & Kuip doing play-by-play on the radio. This was created in a set of three, but can be divided up.
Acrylic paint, Acrylic Medium
Dimensions: 24” x 36”
Contact artist at woundednotworthless@gmail.com for purchase/shipping information
"And the Pitch" 2015
Acrylic paint, Acrylic Medium
Dimensions: 24” x 36”
Contact artist at woundednotworthless@gmail.com for purchase/shipping information
"Follow-Through" 2015
Acrylic paint, Acrylic Medium
Dimensions: 24” x 36”
Contact artist at woundednotworthless@gmail.com for purchase/shipping information
"Check the Scoreboard" 2015
My rendition of the spectacular outfield scoreboard of AT&T Park in San Francisco, CA.
Acrylic paint, Acrylic Medium
Dimensions: 36” x 24”
Contact artist at woundednotworthless@gmail.com for purchase/shipping information
"The World Series Ball" 2014
A testament to my husband at the time, this painting is a rendition of the famous family story and picture of our son Anthony (then 13 years old) holding a ball, pitcher Jeremy Affeldt, tossed to him during Game Three of the 2014 World Series. Kevin checked off a major bucket list item when he drove himself and Anthony 10 hours (each way) to watch this game in Detroit against the Tigers. We won the game and the Series! We will always have this wonderful family memory from a time we were all together.
Acrylic Paint
Dimensions: 18" x 24"
not for sale
"At the Cross" 2015
Commissioned by my husband at the time, for an inspiring co-worker of his. He requested a rendition of the Centurion at the Cross, in my aesthetic. The writing is taken from the pages of a small travel bible that military chaplains hand out and the string is taken from a second hand store bin because everything has meaning when Christ gives you a second chance at life.
Acrylic paint, paper, twine, yarn, acrylic medium
Dimensions: 36" x 48"
gifted as a commissioned piece for husband at the time
How Much is that Puppy in the Window?
2016
Acrylic medium, Tiffany's and CO vintage catalog
Dimensions: 9" x 12" on artist board
Sold as an art in kind sale (trade) with fellow artist
One of my all-time favorite studio classes was Mixed Media at the University of Alabama - Huntsville with Professor Roxie Veasey! It was where I was first introduced to the art of collage and it really spoke to me. Maybe it had something to do with the ability to create something completely new and whole from bits and pieces of the old and discarded. For this piece I had some old Tiffany & Co. catalogs I couldn't seem to ever throw away because and who doesn't love Tiffany blue boxes with their delicate white bows? This collage is the result of giving new life to old paper. I guess you could even say this collage is the one that "started it all" with regards to creating with vintage papers, because I started to get commissions from friends and families almost immediately to create cute little animal collages. First, just with Tiffany & Co. paper products, then eventually to what I exclusively work with now, larger collages from a larger variety of vintage papers. I would definitely call myself a true collage artist now. Thank you mixed media class and thank you cute little puppy in the window!
"Jewels for Jill"
2016
My fabulous sister-in-law mentioned how much she liked "How much is that puppy in the window?" So I created an original piece on a wood canvas for her. This is the result.
Acrylic paint, acrylic medium, vintage Tiffany & Co catalog pieces
Dimensions: 12" x 12"
gifted to sister-in-law
"Angel Face"
2016
This piece is the result of playing around with the process of making acrylic skins from old paper product. This image was transferred from a vintage sewing pattern envelope. I also incorporated torn pattern tissue paper pieces in the background. The frame and sewing patterns were a wonderful find in my local second hand shop. I got an ethereal feeling from the process; hence the name.
Acrylic paint, acrylic medium, vintage pattern pieces, paper
Dimensions: 5" x 7"
Contact artist at woundednotworthless@gmail.com for purchase/shipping information
Tied Up in Rhetoric
2016
Acrylic paint, acrylic medium, vintage pattern pieces, twine, charcoal, magazine, paper
Dimensions: 36" x 48"
$800
Contact artist at woundednotworthless@gmail.com for purchase/shipping information
I wanted to somehow artistically express my opinion on the same sex marriage 'issue' that was going on in 2016. I wanted to show what, I feel, should be the true Christian response. Using the process of collage with various magazines, bible pages, and vintage pattern pieces; I created a piece that shows how I think 'the church' (not the true Christian Philosophy of Jesus = Love) is tying up the dove of peace. I was just so enraged with all the hate speech that I felt was distorting my religion.
Graphic Design Projects
I most recently began in graphic design when my now ex-husband took command of the mighty Trailblazers of the Nashville Recruiting Battalion when he was the Battalion Commander there. I designed their updated 2016-2018 logo, rings, hatch show prints, poker chips, challenge coins and various other requested project! It was such an honor and delight - Click the picture to see my graphic design gallery and/or to order a custom design of your own. Email me (Christina) directly at WoundedNotWorthless@gmail.com for direct commission graphic design requests:)
I'd love to get your feedback on my work!
OR if you are interested in buying one of the above pieces, commissioning an original work of art, or hiring me for a speaking engagement, please fill out this form:
ATTN: Christina Helferich-Polosky
Are YOU a Female Military / Veteran / Wounded Warrior Artist Yourself?
Contact me NOW! I'd love to get you signed up on the site and have your art displayed for all the world to see! I can personally help you draft your first or fortieth artist statement and help you submit whatever type of art you do into whatever type of exhibition you are hoping to get into - or if you just want me to link your art to your own, already established, online store and promote your brand and your wares, I can do that too! We do it all here - BLUF: I am here to support, promote and empower you to achieve your artistic and personal goals. Period. Whatever they may be and however they may change over time.
Just send me a quick email message here and I will respond to you as quickly as possible; this is a one woman show, but I will get back to you. You are important, your art is important and what you have to say is important and needs to be heard. I want to help you create and achieve and we can do it together. This is also the time to let me know what type of assistance you may need as well. I will share whatever information and connections I have and sit down with you and see what exhibitions I have coming up that we can collaborate on and what would fit in with your schedule and pass on knowledge of other exhibitions happening with other veteran organizations across the nation that you may be interested in as well! Networking is key and we all can help each other a lot more than we know more times than not. Whether you are just starting out or a fully established artist, there is a place for you here at Wounded Not Worthless.
Thank you for taking the time to look through this online art gallery - hopefully you can visualize your space here too; and remember, while this is not a non-profit, it is a general public benefit business created for female veteran artists like you and me, so I will never charge or take any commission from you to help you on this site or with your projects. I also strive to help you monetarily, when I can, with your costs related to exhibitions and projects associated with our WoundedNotWorthless.com, LLC collaborations. The only profits I make off this site are from the sale of my own art, and that is what I use to directly fund supporting, empowering, and promoting artists like us!
The most important takeaway here is that it would be my honor to become a value-added member to your own network of female artist friends and a fellow collaborator in the trade with the goal to support and succeed alongside each other - because when you succeed, we all succeed:)